Ashinoa
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krautrock, new jazz, psychedelic electronica, trip-hop
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Ashinoa is a french band born in Lyon in the closing stages of 2015. Since forming, the French four-piece comprised of Stefan Chamolt, Matteo Fabbri, Jérémy Labarre and Mathias Chirpaz have been at the forefront of the alternative scene in their home city of Lyon. Influenced by Krautrock and electronic music, they create a vaste universe centered around psychedelic synthesizers and guitars, percussive and kraut rhythms, and galactic visuals.
Initially associated with the city’s Misère Records movement and collective, the band have now signed to London-based label Fuzz Club Records (King Gizzard & The Lizard Wizard, Night Beats, Tess Parks, The Underground Youth) for their latest. It follows the band's debut 'Sinie Sinie' LP and a vinyl-only release of the 'Koalibi' single as part of Fuzz Club's Reverb Conspiracy compilation series. Having toured around France on a number of occasions Ashinoa have also through the years shared stages with the likes of Metz, Flamingods, Tomaga, Warmduscher, Bo Ningen, Kikagaku Moyo, Minami Deutsch, The Holydrug Couple and many more.
Their latest album, L’Orée, has been released in 2022 on Fuzz Club.
Initially associated with the city’s Misère Records movement and collective, the band have now signed to London-based label Fuzz Club Records (King Gizzard & The Lizard Wizard, Night Beats, Tess Parks, The Underground Youth) for their latest. It follows the band's debut 'Sinie Sinie' LP and a vinyl-only release of the 'Koalibi' single as part of Fuzz Club's Reverb Conspiracy compilation series. Having toured around France on a number of occasions Ashinoa have also through the years shared stages with the likes of Metz, Flamingods, Tomaga, Warmduscher, Bo Ningen, Kikagaku Moyo, Minami Deutsch, The Holydrug Couple and many more.
Their latest album, L’Orée, has been released in 2022 on Fuzz Club.
LP pitch (from Fuzz Club) :
At times percussive and dancey, at others hypnotic and cinematic, the largely synthesiser-driven soundscapes of 'L’Orée' feel both of the past and the future. It’s the sound of two different worlds – a record capable of being as primal and ritualistic as it is synthesised and digitally manipulated. Where the band’s prior minimal Krautrock (see their 2019 ‘Sinie Sinie’ LP) might have brought to mind cold, dark post-industrial cities, ‘L’Orée’s kosmische experimentalism takes you instead on an instrumental journey through the natural wilderness via the medium of shape-shifting psychedelic electronics.
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